after three years in the making, the followup to light in the attic’s game-changing i am the center box set is finally here. the microcosm: visionary music of continental europe, 1970-1986 is the first major overview of key works from cosmically-taped in artists needing little introduction — vangelis, ash ra tempel, and popol vuh — and unknown masterpieces by criminally overlooked heroes like bernard xolotl, robert julian horky and enno velthuys.

uk trip hop legend howie b teaming up with the jersey deep house don jus ed? you better believe it! according to howie b himself, who proudly declared on his facebook page -the theme is cinema. the mood is deep.- cinetrax vol. 1 is the first part of three 12-s which will be presented for the project. the slow grinding electro pop of -salty dance- is something that you could have imagined ryan gosling cruising the streets of dtla after midnight in drive, while -the breach- does have cinematic aspects about it, in a way, but sounds more like an early robert hood track on -8, we really liked this bleepy and cyclical excursion in minimalism. on the flip -the essence of new- fuels some exotic daydream fantasies with its chilled and atmospheric beats while -phat harp ban- is a darkly aquatic smack electro number, that brings to mind that epic underwater bank heist in scene in sexy beast.

tfbm004 is a special joint venture release with rebirth records to release some stuff we really care about the orginal mix of stop featuring kaysand, now available on vinyl, a special 13 mins rework by our beloved swayzak, and a remix of right now by freaks vs robert owens that really could not stay any longer in our hard drives!

die zweite reise in die station road nach wigan bringt uns 16 weitere northern soul-perlen aus den playlisten der beiden djs russ winstanley und richard searling, als der legendäre wigan casino-club in den 1970’ern seine hochphase erlebte.

the micronaut vertont jenen moment, wenn das quietschen der s-bahn und die schritte auf dem nassen asphalt im dämmrigen himmel über den straßen verhallt sind. jenen moment, wenn die verlorenen seelen der abgase und bremslichtern zwischen den häusern umherirren, hinter deren leuchtenden fenster sich träume und ausstiegsfantasien fürs bett vorbereiten. wenn alle nah beieinander sind und doch jeder für sich ist, wenn die stadt ruhig wird und in den köpfen ihrer bewohner immer noch geschäftiges treiben herrscht. irgendwo zwischen bass music, electronica und pop findet stefan streck die rhythmisch-melodische entsprechung dieser epischen atmosphäre. dass er dabei einen ausgeprägten hang zur tragödie hat, das findet nicht nur in der leidenschaftlich-impulsiven geste seiner live-auftritte ausdruck, sondern auch auf forms, seinem dritten studio-album auf acker records, vertrieben durch kompakt. der fiebrige spannungszustand seines nächtlichen stadt-blues nimmt zwischen momenten der gedankenverlorenen melancholie und endorphingeladener aufbruchstimmung immer wieder neue formen an.

nice price deal !!! massive groundbreaking electrohouse madness... incl robert m remix (joia..)

bop’s label, microfunk music, releases it’s second colourful piece of beautiful electronic music. a unique blend of rhythmic glitch, airy soundscapes and magic sounds with the participation of artists such as robert manos, sileni, oak, dissident, despot and bop himself.

aufgewachsen in london mit jungle, grime und broken beats, ist der jazz-ansatz von yussef dayes und kamaal williams (aka henry wu) geprägt durch den basssound der piratensender, ähnlich wie die us-kollegen robert glasper oder kamasi washington hiphop in ihre musik einfliessen lassen. weitere inspirationen auf dem yussef kamaals debütalbum ist der freiheitliche anything-goes-spirit des 1970 er jazzfunk eines herbie hancock oder mahavishnu orchestra, während ihr pianospiel an thelonious monk und ihr drumprogramming an kaidi tatham angelehnt ist.

meda fury welcome back oakland resident damon bell for another accomplished ep of rugged cosmic grooves and tribal pressure. bell is riding a rich wave of form with a killer recent release on don’t be afraid, and even more fire on the burek label, not forgetting his impressive debut last year on his regular home, the mighty deepblak - he’s a proven master at fusing afro-centric rhythms, rich keys and off-kilter pads into an urgent and contemporary form of house music that deftly eschews cliche. ‘akebu-lan’ commences the ritual with a gospel vocal loop over pumping 808 kicks and tranced out swollen pads, giving way to ecstatic fender rhodes chords and climatic piano, reminiscent of robert hood - is this bell s fastest bpm track yet? loose/live jazz keys riff throughout ‘ether’ creating a warm rich miasma of sound against the distressed percussive gyrations and sinister drones. hypnotic synth riffs tumble over the powerful drum-track in ‘altered visions’ creating a deliciously hypnotic chug. drawing the ep to a close, deepblak and pan cohort african sciences joins bell for the sizzling ‘kinetic energy’, a sleazy, skronking cut of slurred moog bass and atonally pitched toms wrestling with thumping kicks and whispered vox pummel the listener

originally released as a soundtrack in 1974, and long out of print, cinewaxs reissue is remastered from the original tapes and is presented as an exact reproduction of the original album artwork featuring jim pearsalls classic film art. sometimes, it doesnt take very long to create something brilliant. when producer robert evans rejected phillip lambro’s original score for chinatown, jerry goldsmith was hired to create another, from scratch, in just 10 days.

for his maiden voyage through space, shan (victor shan, if it matters to you, and it should) offers good to me, a pair of revelatory dancefloor productions inspired by many a long night and early morning spent at the legendary frankfurt institution robert johnson. a finely-tuned specimen of durable, architectural sampling, the 12” title track runs a rigorous course of breakbeat rhythms and classic chords while a diva’s pleas are made and answered within seven minutes of perfect primetime rave. on the flip, shan churns through metallic stabs and primed drum sequences for the devious “version 1.” shan spent close to four years perfecting “version 1” through various dancefloor demos, no more evident than in the stunning arc of this sought after jam.

a legend to those who know, todd sines makes his first appearance on circus company in a fit of sharp-edged, wildly expressive house music that harks back to the unhinged early days of the label. sines has a career that stretches back to the early 90s, having released lauded records under the .xtrak moniker on peacefrog and 7th city amongst other legendary labels.

brainbox shows the open-minded and versatile character of the belgian de:tuned label and explores the more cerebral output within the full spectrum of electronic music.
the album compilation features 25 tracks of both new and previously unreleased material, offering a widely eclectic mix of ambient, techno, idm, broken beat and drum & bass from a range of well-respected and established artists who ve pushed the musical envelope and have inspired a whole generation of music enthusiasts. the tracks have been mastered by matt colton at alchemy mastering to ensure the highest playback quality.
in addition to the music, de:tuned has worked with designer kevin foakes from openmind (aka strictly kev, dj food from ninja tune) who has translated the diverse musical theme of the album into stunning graphic artwork.
brainbox will be available as a limited edition (300 copies worldwide) numbered box set consisting of 6 heavy weight 180 gr records housed in individually printed inner sleeves. the vinyl box includes a download card and sticker.
de:tuned would like to thank all the artists for their contributions and support. stay tuned!

its been a while since something new from dave ellesmere surfaced, but the multifaceted artist has been tasked by the ever on-point brothers vibe to lay down a few serious slabs of club tackle for mixx records. caught in a moment heads straight into tripped out techno territory, all urgent cyclical rhythm and head-teasing fx, but the mood is drastically different on the chord led 909 thumper universal vibe. from now on only good things will happen once again channels the edgy robert hood style to great effect before brothers vibe takes over for a deliciously dusty, meandering remix of universal vibe

limited 180g lavender coloured vinyl 12- ep on virgin emi. housed in printed 4 colour process printed sleeve with special screen printed 5th colour yves klein blue and matt uv varnish, designed by hingston studios and rob del naj.
massive attack release two brand new songs, ‘come near me’ and ‘the spoils’. both songs are written and produced by massive attack’s daddy g and collaborator stew jackson and feature vocals from ghostpoet (on ‘come near me’) and hope sandoval (on ‘the spoils’). these new songs follow january’s release of the ‘ritual spirit’ ep, which was written and produced by the band’s robert del naja and collaborator euan dickinson. the video for ‘the spoils’ stars cate blanchett and is directed by john hillcoat, best known for his directorial work on films such as the road, lawless and the proposition.

funk was the syncopated groove that emerged in the mid-sixties through hits from james brown and dyke and the blazers. it was a natural development out of rhythm and blues. thousands of local bands tried to emulate brown’s success, and in the process created a plethora of rare and sought after 45s and album cuts that have been mined by djs and producers to fill floors or provide breakbeats. whilst the 20 tracks on this compilation would cost you thousands of pounds to own on their original issue, that isn’t really the point. instead you get to listen to magnificent grooves such as mickey & the soul generations explosive ‘iron leg’, andrew brown’s blues tinged ‘you made me suffer’ or the message music of 24 carat black.
j&d records release three exceptional compilations that look at vintage african-american music through the prism of uk club culture. all night long, can you feel that beat and extra added soul will be available on double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

archie hamilton released on much respected underground labels such as fear of flying, tzinah, moral fiber pleasure zone and of course his own imprints, moscow records and moss co. along the way he has gained strong support from the likes of marco carola, tini and robert dietz amongst many others.

with noblesse oblige you find yourself among the aristocracy of the mind and body… it is a gathering of artists with a different heartbeat and mindset… fitting the gooiland elektro spirit as they operate far away from contemporary music standards… not being interested nor moved by trends and hypes… instead they share the mission to produce uncompromising sounds for the real freaks with music both for the dancefloor and the headphone… in this case this means sweaty ebm, dark techno and industrial acid… but that are just some name tags… it is all about the experience…
limited to 250 copies.

this 12 inch brings together three pioneers of melbourne techno seen. zen paradox aka steve law with his long detroit flavoured track “shadow sculptor”. voiteck’s “wobble plate” echoes the style of robert hood, a relentless groove. label boss jani ho brings his machine funk alive with “flight 101”.

black box recorders aren’t black, they’re orange. often they are destroyed and they don’t always have all the answers we’re looking for. this recording documents a collision/collaboration between two sound artists, michael bjella (gog) and robert skrzy&#324,,,ski (micromelancolié). this is what survived and this is all we have left, the sounds should tell the whole story.

abstract theory is back with a new vinyl release, this time coming from the israelian techno master itamar sagi (be as one imprint, ovum, sci+tec, drumcode, soma, intacto) who delivered us three wonderful peaktime stuff.
early support by ame, robert owens, alan fitzpatrick, slam, marco carola, leon, steve lawler & many more.

deluxe lp w 180g, reverse board sleeve, mp3 download - jonathan fitoussi is a french composer and audio engineer working at the institut national de lãaudiovisuel ¹ ina - recorded with ems synthi aks, sequential circuits pro-one, and yc45d electric organ. - mastered by rahshad becker @ dubplates & mastering - seven aquatints (1973) artwork licensed from robert mangold

the omnibus band was founded by jarda zajpt and petr dikan in 1979 in czechoslovakia. having met at the electronic high school, electronics was their field of expertise. over time, petr dikan constructed several sound devices such as the Šílený fridrich (Šf, crazy frederick) keyboard and the vsd (všude samý dráty/wires everywhere) generator which he operated during the recordings and also at concerts. at that time, heavily influenced by brian eno and robert fripp from the king crimson band, jarda zajpt played the guitars, using all kinds of effects, pre-recorded tapes, and one or more interconnected tape recorders. the first record, “israels”, was produced between 1980 and 1982. in 1985, jarda zajpt swapped a guitar for a keyboard and a new member arrived – pavel zvolenský – who programmed and played the automatic percussions. martin bauer, playing the bass guitar, completed the trio. they have produced a second album, “rhythmus”, in this assembly. remastered from unreleased tape recordings. this is the first release in the framework of the project jupiter 08 – archeology of the slavic electronic sound.

the fifth release on renate schallplatten comes from dimitri veimar from moscow, a good friend and regular guest behind the decks at renate. hot on the the heels of his fantastic time ep on omnidisc, he delivers four tracks of modern acid flavoured goodness. the icing on the cake is a superb remix by renate all time favourite lauer from the robert johnson crew.

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they dont mess around. in fact, if these tracks were steaks they d still be walking around eating grass.

project sts-31-spiralgalaxie (hubble telescope series vol.3) a clash of the titans! celebrating solar one music s 40th release and 10th anniverary, this split lp sees two stars under various disguises, heinrich mueller (aka der zyklus and various other projects) and german producer robert witschakowski aka the exaltics, back to back in a no return odyssey through the depths of the galaxy. expect nothing but contemplative and cosmic electro beats using original outer-space sounds from the universe. closing the hubble telescope trilogy which brought to you luxus varta and more recently e.r.p. (respectively with the -everything is nothing- and -ancient light- ep s), trippy -spiralgalaxie- will mark a new step in som s history. as usual, the final chapter of the series dedicated solely to hubble and all the great scientists and engineers at the nasa and esa, comes with a beautiful cover print picture taken by the space telescope.

the son of jackson 5s first producer, rondell is the newest exclusive ultramajic signing, after a chance meeting from robert armani and traxman.

hey people, we present brandnew stunning ep -past- from oam akay incl.remixes by krenzlin & robert s (pt)... enjoy the finest tunes thanks for your support, take care - yours, black brook limited

crackling electro by lobster theremin newcomer privacy, a melodramatic dance tune by robert johnson resident chinaski and skittering house by partner in crime dj s aka dj slingshot. completed by giallorific tones of umberto and harsh compressor-experiments by nick klein.

born and raised on the southside of chicago and known as king les, lester represents chitown with a passion for music producing tracks for over 25 years with records pressed, and crowds rocked from the usa to the united kingdom. from relief records to ukr, he is currently producing and dropping lps in 2016 and beyond. lesters been on labels spanning the globe from relief records, ukr, mad house records, state of mind records, synewave, missile, minimalistix, music man, dust trax, ihr, modular records, brooklyn music, audio textures, home recordings, we call it hard records, dark house music, morpheus, impact mechanics, kick & clap records, chiwax and many more. his greatest influences have been farley jack master funk, larry heard, mike dunn, joey beltram, adam beyer, robert armani, jamie principle, derrick may, green velvet, drew sky, paul johnson, cari lekebusch, steve stoll, mike dearborn and speedy j. lester fitzpatrick’s sound can be described as a combination of techno and house with distinct elements of jacking, sci-fi, disco, acid infused grooves that keep the dancefloor locked in and bangin.

robert witschakowski takes a break from rewiring the rules of electro with his prolific the exaltics project to deliver the eerie soundtrack album, acanthosaura. working with nico jagiella, with whom he co-runs the solar one label, the pair have created the soundtrack for a world of flickering shadows, dark ambient textures and ominous bass tones.

after 99 ep s and single releases and 5 years of releasing music, we are proud to present you our 100th release! the 100th gnd record is coming on a special 12inc colour vinyl with a big remix pack from mark broom (better known with releases on beard man and robert hood s m-plant), turbo turbo (gnd key artists since years), ben long (1/2 from the space djz and better known with last releases on intacto, gnd and remixes for mark broom s beard man) and the gnd head himself with a remix from is own last single -transmission-. the originals was played by artists around the globe from dave clarke, marcel fengler, efdemin, truncate, dj hyperactive and beyond. we are sure that everybody find his fav. mix in this pack. thank you to all producers, dj s and media partners who supported us in the last 5 years. we are proud to work with you! happy birthday gnd!

after the success of the first release, hund records is coming back with a huge ep from a new young rising star of electronic music: jerome.c. already supported by tini, robert dietz, enzo siragusa, loquace, seb zito and more all around the world. jerome gives us two dub tracks with a little flow on raw and alongside there are a remix from dan farserelli from the famous fuse london crew that hasn’t need presentation, and max j & coockies, two other talented belgian guys.

nice price deal !!! the first jagoo records, a part of the event & booking agency jagoo events, from stuttgart, is from steve nash (jena, haiti groove). bluffer ep is a cool and groovy four tracker ep, with tracks for different tastes. every track works on his own way. check the steve is feeling valencia mix! jan iwanitz, part of andomat3000 & jan, from cadenza and morris audio, did together with robert wagner a tricky remix of bluffer. check! supported by matt star, mathias kaden, sven uk, savas pascalidis, ziel100, fernanda diaz!!!

neue elektronische instrumente – minimoog, arp odyssey, roland system 100 und mc-4, die legendäre korg ms-20 oder die roland tr-808 – ließen die musiker zwischen punk und klassischer ausbildung, zwischen kunstakademie, ratinger hof und dem kölner studio für elektronische musik, einen völlig neuen hybriden entwickeln. die zusammenstellung trägt neben der historisierenden leistung aber auch einen deutlichen genusswert: neu!’s “isi”, rothers “karussell” oder wolfgang riechmanns traumhaftes “abendlicht” nehmen einen mit auf eine reise durch die wolken, daf, liaisons dangereuses und die krupps tanzen gleichzeitig am boden mit schweren stiefeln auf den verdreckten böden des düsseldorfer untergrunds. “electri_city 2” versammelt die exzentrischen protagonisten einer bewegten zeit, gleitet im rundblick durch den elektronischen kanon der landeshauptstadt nrws und birgt gleichzeitig lang verloren geglaubte schätze wie teja schmitz weitestgehend unbekanntes stöhnen in “studieren”.

deluxe doppel-vinyl edition im klappcover, limitiert auf 1000 stück.
neue elektronische instrumente – minimoog, arp odyssey, roland system 100 und mc-4, die legendäre korg ms-20 oder die roland tr-808 – ließen die musiker zwischen punk und klassischer ausbildung, zwischen kunstakademie, ratinger hof und dem kölner studio für elektronische musik, einen völlig neuen hybriden entwickeln. die zusammenstellung trägt neben der historisierenden leistung aber auch einen deutlichen genusswert: neu!’s “isi”, rothers “karussell” oder wolfgang riechmanns traumhaftes “abendlicht” nehmen einen mit auf eine reise durch die wolken, daf, liaisons dangereuses und die krupps tanzen gleichzeitig am boden mit schweren stiefeln auf den verdreckten böden des düsseldorfer untergrunds. “electri_city 2” versammelt die exzentrischen protagonisten einer bewegten zeit, gleitet im rundblick durch den elektronischen kanon der landeshauptstadt nrws und birgt gleichzeitig lang verloren geglaubte schätze wie teja schmitz weitestgehend unbekanntes stöhnen in “studieren”.

nice price deal !!! big with lauhaus, mathias kaden, brothers vibe, anthony collins, sis, robert dietz and julian chaptal

4 track hand-stamped white label 12” ep by best available technology, released on the working nights label. stamp by skull disco’s zeke clough. 200 copies only.

some more uncut diamonds by s4aw... robert nedelcu aka lecsicu from rural romania is only 26 but already a skillful and dedicated producer of oldschool-flavoured house music with a tek-edge. on top we ve got vocals by berinika van wyk a singer born in south africa. robert was inspired by guys like rick wade, mr. g, kerri chandler, and of course moodyman. his trademark are strong percussions, little harmonies every now and then and a “tracky” atmo to his tunes that sound very chicago-ish. all three original tunes are pure, vintage-style house music a little on the tech side. so this clearly is an ep for the dancefloor and for early morning sessions when the sun s coming up again... “route to 95” received a groundbreaking rework by detroit house music veteran gari romalis. with incredibly deep subbass sequencies he makes this tune a deep jam like you never heard one befor

blawan’s new side project bored young adults is up next on will bankhead’s label the trilogy tapes. the shy dancers on bungalowdorf beach features some restrained and slow burning techno experiments that differ from jamie robert’s more usual hard-hitting sounds. the seething title track treads the same path as kassem mosse or vactrol park. the fentanyl techno of “but we need this bench” sounds like an old regis record played on -8, while devoted fans of the young uk producer’s sound will get something a bit more familiar on the menacing hypnotic techno grinder “check up from the neck up”.

portable is alan abrahams, a south african born artist and producer who is also a celebrated live act. emerging more than fifteen years ago with a sound that marries real electronic soul with deep moods and abstract grooves, he is someone who has released his minimal wares on cult labels like perlon and live at robert johnson, as well as his own süd electronic.

hungarian hot wax are proud to welcome uk based producer dan wainwright to the family with the wicked kabila ngoma! on the flip we have the legend and gentleman that is felix dickinson on remix duties. perfect to add a bit of spice to your summer sets. early radio play and support from robert james (hot creations), b. traits, dave harvey (futureboogie), tanzlife, jacques renault and t k disco.

ltd package of gob019+gob022! nice price action

world excluding france 2016 reedition with new updated artwork (done by pascal himself) lp+cd! the first reedition (ever) of pascal comelades 1998 cult classic largot du bruit, personally overseen by pascal himself, this very unique edition comes with new updated artwork (done by pascal) and the 3 legendary duets with p.j. harvey and robert wyatt on september song.

der künstler und fotograf robert kulisek und david lieske aka carsten jost (mitbetreiber von dial records) präsentieren mit deathbridge das zweite album ihrer black metal inspirieten formation misanthrope ca. nach dem limitierten tape amerika, ist es die zweite kollaboration mit der galerie vi, vii (oslo). aufgenommen in den hamptons, new york, zählt deathbridge neben veröffentlichungen von dirk von lowtzow, queens, und glühen 4 (aka pantha du prince) zur dunklen seite von dial records. ein album von ergreifender intensität, ein trip in wundervolle schattenreiche.

repress 2016 -- radio slaves dont stop no sleep has gone under the knife with the remix treatment from some of electronic musics finest producers. robert hood, a tale of us, and roman poncet & dj deep all deliver their own takes on the original in their own unique styles and breathe new life into this classic slice of techno.

a multi-instrumentalist, robert was trained in saxophone starting at age 10, before moving onto a fender telecaster after high school. after being exposed to southern california rave culture in the late 90s, he moved onto djing and collecting records. by the time he planted his roots in san francisco in 2005,robert had built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.

originally released in 1999 on crayon recordings now re-released with a 2016 re-edit version accompanied by a new remix from valentino kanzyani.
mark ambrose 2016 re-edit is a warehouse track with his trademark percussive rhythms and bass driven vibe.
valentino kanzyani delivers a hypnotic 12 minute spaced out groove for a late night dance floor.
murge recordings was launched back in 2012, with an artist roster which includes the like of aubrey, colin dale, jay tripwire, jordan peak, mark ambrose, mr k-alexi shelby, plaid, robert armani and orlando voorn to name a few.

official from re-edition done by phil weeks & didier allyne from gene hunt with released on svek in 1996 jazzy: synth riffs with 808 bass drums. get freaky oldschool feel and toughen the tune into techno status like robert amarni style. the man: candido sample like old moodymann house track...